FLUX 3 Max AI Video Generator

Turn a prompt or a product photo into a 5- to 20-second video, at 720p or 1080p, with sound made in the same render.

Flux 3 MaxStarter
Generieren

On Starter · A 5-second 720p clip is 8.5 credits, sound included

FLUX 3 Max

Realistic documentary-style brand film, one continuous handheld take, real location, early morning. A florist in her late thirties with natural skin and freckles, hair tied back, in a plain olive apron, opens her small flower shop on a quiet street, with no signs or lettering anywhere. [0-5s] Blue dawn light. She pushes open the wooden shop door from inside and steps out onto the pavement, the camera following just behind her shoulder. [5-12s] She carries a large metal bucket of fresh peonies and eucalyptus out and sets it down beside the door, then straightens up and breathes in the cool air. [12-17s] Back inside at the window, warm sunlight now coming through the glass, she holds up a finished bouquet wrapped in plain brown paper and looks at it. [17-20s] She looks into the lens, smiles and says: "First light is the best light." Natural light, real skin texture, believable motion, real location, no CGI look. Sound: the door creaking open, her footsteps, the bucket set down on stone, birds, paper rustling, her voice close and clear at the end, no music. No on-screen text, no logos, no brand names, no signs, no captions, no subtitles.

FLUX 3 Max

Realistic documentary-style brand film, one continuous handheld take, real location, early morning. A florist in her late thirties with natural skin and freckles, hair tied back, in a plain olive apron, opens her small flower shop on a quiet street, with no signs or lettering anywhere. [0-5s] Blue dawn light. She pushes open the wooden shop door from inside and steps out onto the pavement, the camera following just behind her shoulder. [5-12s] She carries a large metal bucket of fresh peonies and eucalyptus out and sets it down beside the door, then straightens up and breathes in the cool air. [12-17s] Back inside at the window, warm sunlight now coming through the glass, she holds up a finished bouquet wrapped in plain brown paper and looks at it. [17-20s] She looks into the lens, smiles and says: "First light is the best light." Natural light, real skin texture, believable motion, real location, no CGI look. Sound: the door creaking open, her footsteps, the bucket set down on stone, birds, paper rustling, her voice close and clear at the end, no music. No on-screen text, no logos, no brand names, no signs, no captions, no subtitles.

Dauer
5 to 20s
Auflösung
720p oder 1080p
Seitenverhältnis
9:16 to 21:9
Audio
On by default
Ausgangspunkt
Text, or a first frame (and last)
FLUX 3 Max
Starter · 8.5 credits for 5s

Create with FLUX 3 Max

  1. Flux 3 MaxStarter
    Generieren
    01

    Pick FLUX 3 Max

    Open Model Playground and choose FLUX 3 Max, then describe the scene: the product, the setting, the camera move.

  2. Flux 3 MaxStarter
    Generieren
    02

    Länge und Auflösung wählen

    5 to 20 seconds at 720p or 1080p. Sound comes in the same render; 20 seconds at 720p is 34 credits.

  3. 03

    Or start from a photo

    Switch to Image to video and add your product photo as the first frame, plus a last frame if you like. Then generate and download.

Flux 3 MaxStarter
Generieren

In Aktion erleben

A phone-style testimonial, your product from one photo, or a cinema-wide film: one model, every placement.

Für Marketer: ein Testimonial, das aussieht wie mit dem Handy gedreht

A man in his living room holds up a plain bottle and talks to camera, in one vertical 15-second clip at 1080p.

For brands: your product from one photo

One photo of the desk lamp as the first frame. The camera barely moves while evening falls outside and the lamp glows warmer, its oak base and green arm unchanged.

For filmmakers: cinema-wide

A concept coupe on a mountain pass at golden hour, framed 21:9, with sound from the same render.

Die Prompts hinter diesen Clips

Every clip on this page came out of FLUX 3 Max in Creatify with these exact prompts; we only compressed them for the web. Copy one and make it yours.

  • Realistic documentary-style brand film, one continuous handheld take, real location, early morning. A florist in her late thirties with natural skin and freckles, hair tied back, in a plain olive apron, opens her small flower shop on a quiet street, with no signs or lettering anywhere. [0-5s] Blue dawn light. She pushes open the wooden shop door from inside and steps out onto the pavement, the camera following just behind her shoulder. [5-12s] She carries a large metal bucket of fresh peonies and eucalyptus out and sets it down beside the door, then straightens up and breathes in the cool air. [12-17s] Back inside at the window, warm sunlight now coming through the glass, she holds up a finished bouquet wrapped in plain brown paper and looks at it. [17-20s] She looks into the lens, smiles and says: "First light is the best light." Natural light, real skin texture, believable motion, real location, no CGI look. Sound: the door creaking open, her footsteps, the bucket set down on stone, birds, paper rustling, her voice close and clear at the end, no music. No on-screen text, no logos, no brand names, no signs, no captions, no subtitles.

    Realistic documentary-style brand film, one continuous handheld take, real location, early morning. A florist in her late thirties with natural skin and freckles, hair tied back, in a plain olive apron, opens her small flower shop on a quiet street, with no signs or lettering anywhere. [0-5s] Blue dawn light. She pushes open the wooden shop door from inside and steps out onto the pavement, the camera following just behind her shoulder. [5-12s] She carries a large metal bucket of fresh peonies and eucalyptus out and sets it down beside the door, then straightens up and breathes in the cool air. [12-17s] Back inside at the window, warm sunlight now coming through the glass, she holds up a finished bouquet wrapped in plain brown paper and looks at it. [17-20s] She looks into the lens, smiles and says: "First light is the best light." Natural light, real skin texture, believable motion, real location, no CGI look. Sound: the door creaking open, her footsteps, the bucket set down on stone, birds, paper rustling, her voice close and clear at the end, no music. No on-screen text, no logos, no brand names, no signs, no captions, no subtitles.

  • Realistic smartphone selfie video, vertical, filmed handheld in a sunny apartment living room in the afternoon. A man in his mid twenties with curly shoulder-length hair, natural skin, in a plain white t-shirt, holds the phone at arm's length and talks to camera like a friend. In his other hand he holds a small plain amber glass bottle with no label, still, next to his face. [0-5s] He grins and says: "Okay, real talk about my hair." [5-10s] He turns his head so the window light catches his curls and says: "Two weeks. Look at the shine." [10-15s] He laughs and says: "My barber asked what I changed." Natural window light, slight handheld shake, real skin texture, unretouched, authentic phone footage. Sound: his voice close to the mic, faint street noise through the window, a little room echo, no music. He never opens the bottle. No on-screen text, no logos, no brand names, no signs, no captions, no subtitles.

    Realistic smartphone selfie video, vertical, filmed handheld in a sunny apartment living room in the afternoon. A man in his mid twenties with curly shoulder-length hair, natural skin, in a plain white t-shirt, holds the phone at arm's length and talks to camera like a friend. In his other hand he holds a small plain amber glass bottle with no label, still, next to his face. [0-5s] He grins and says: "Okay, real talk about my hair." [5-10s] He turns his head so the window light catches his curls and says: "Two weeks. Look at the shine." [10-15s] He laughs and says: "My barber asked what I changed." Natural window light, slight handheld shake, real skin texture, unretouched, authentic phone footage. Sound: his voice close to the mic, faint street noise through the window, a little room echo, no music. He never opens the bottle. No on-screen text, no logos, no brand names, no signs, no captions, no subtitles.

  • Calm home goods commercial, real location, filmed on a cinema camera on a tripod at dusk. Keep the framing of the image: the desk lamp stays exactly as it is, with the same round oak base, sage-green arm and head and warm glow, and no brand name or lettering added. The camera stays almost still, with only a very slow, gentle push-in toward the lamp across the whole clip; no orbit, no pan, no cut. [0-5s] Outside the window the sky deepens from dusk to blue hour and city lights come on one by one. [5-10s] The lamp's warm light grows richer on the desk, the notebook and the plant leaves as the room gets darker. Nothing on the desk moves. Real light, real wood texture, natural shadows, no CGI look. Sound: a quiet evening room, a distant city hum, no music. No on-screen text, no logos, no brand names, no signs, no captions, no subtitles.

    Calm home goods commercial, real location, filmed on a cinema camera on a tripod at dusk. Keep the framing of the image: the desk lamp stays exactly as it is, with the same round oak base, sage-green arm and head and warm glow, and no brand name or lettering added. The camera stays almost still, with only a very slow, gentle push-in toward the lamp across the whole clip; no orbit, no pan, no cut. [0-5s] Outside the window the sky deepens from dusk to blue hour and city lights come on one by one. [5-10s] The lamp's warm light grows richer on the desk, the notebook and the plant leaves as the room gets darker. Nothing on the desk moves. Real light, real wood texture, natural shadows, no CGI look. Sound: a quiet evening room, a distant city hum, no music. No on-screen text, no logos, no brand names, no signs, no captions, no subtitles.

  • Car commercial, real location footage shot on an anamorphic cinema camera at golden hour. A one-off concept electric coupe in pearl white paint, smooth closed nose with no grille and a single thin light bar, no badges, no logos and no lettering anywhere, drives along an empty mountain road above a valley. [0-5s] Wide aerial shot: the car winds through a hairpin bend as the sun sits low over the ridges, long shadows across the road. [5-10s] The camera drops to road level and tracks beside the rear wheel, then pulls back as the car crests the pass into the sunlight, a lens flare across the frame. Real reflections on the paint, real road texture, natural motion blur, believable physics, no CGI look. Sound: tyres on asphalt, a low electric whine rising, wind over the pass. No on-screen text, no logos, no brand names, no signs, no captions, no subtitles.

    Car commercial, real location footage shot on an anamorphic cinema camera at golden hour. A one-off concept electric coupe in pearl white paint, smooth closed nose with no grille and a single thin light bar, no badges, no logos and no lettering anywhere, drives along an empty mountain road above a valley. [0-5s] Wide aerial shot: the car winds through a hairpin bend as the sun sits low over the ridges, long shadows across the road. [5-10s] The camera drops to road level and tracks beside the rear wheel, then pulls back as the car crests the pass into the sunlight, a lens flare across the frame. Real reflections on the paint, real road texture, natural motion blur, believable physics, no CGI look. Sound: tyres on asphalt, a low electric whine rising, wind over the pass. No on-screen text, no logos, no brand names, no signs, no captions, no subtitles.

  • Fashion social ad, square frame, real location, filmed on a cinema camera on an autumn morning. A woman in her late twenties with natural skin and loose dark hair, in a plain oversized cream knit sweater and dark jeans, no logos anywhere. [0-4s] She steps out of a sunlit doorway onto a quiet cobbled street, golden leaves drifting down around her, the camera gliding backwards in front of her. [4-8s] She slows, turns her head over her shoulder toward the lens and smiles, the sun catching the texture of the knit. Natural light, real skin and fabric texture, believable motion, no CGI look. Sound: her footsteps on cobblestones, leaves skittering, a soft acoustic guitar. No on-screen text, no logos, no brand names, no signs, no captions, no subtitles.

    Fashion social ad, square frame, real location, filmed on a cinema camera on an autumn morning. A woman in her late twenties with natural skin and loose dark hair, in a plain oversized cream knit sweater and dark jeans, no logos anywhere. [0-4s] She steps out of a sunlit doorway onto a quiet cobbled street, golden leaves drifting down around her, the camera gliding backwards in front of her. [4-8s] She slows, turns her head over her shoulder toward the lens and smiles, the sun catching the texture of the knit. Natural light, real skin and fabric texture, believable motion, no CGI look. Sound: her footsteps on cobblestones, leaves skittering, a soft acoustic guitar. No on-screen text, no logos, no brand names, no signs, no captions, no subtitles.

Built for product ads

Start from your product photo

Your packshot is the first frame. Optionally add a second image as the last frame, so the clip ends on a set shot.

5 to 20 seconds per clip

Any whole number of seconds, from a 5-second bumper to a 20-second product story in one generation.

A shape for every placement

9:16 for Reels, Shorts and TikTok, 1:1 and 3:4 for feeds, 16:9 and 21:9 for YouTube and the web.

Ton im selben Rendering

Audio comes with the picture by default. Switch it off if you will lay your own track; the price stays the same.

A price you can plan around

8.5 credits for 5 seconds at 720p, 34 for 20 seconds. At 1080p, 14.5 and 58. No shoot, no studio.

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Weitere Modelle entdecken

Führen Sie denselben Prompt im Asset-Generator mit einem anderen Modell aus und vergleichen Sie.

FLUX 3 Max FAQ

FLUX 3 Max is a video model from Black Forest Labs, the team behind the FLUX image models. On Creatify it makes 5 to 20 seconds of video at 720p or 1080p, from a text prompt or from a start image with an optional end image, with sound on by default.

Make your first FLUX 3 Max clip

Write the scene or add your product photo, and get 5 to 20 seconds at 720p or 1080p.